mostly about art, sometimes about images, image search, design and etsy.
Wednesday, April 22, 2009
It's pretty, but is it Art? | Kipling
The Conundrum of the Workshops Rudyard Kipling
Tuesday, April 21, 2009
Google image search results for landart when sorted by red orange yellow and green respectively
I've linked the screenshots to their relevant search results, which will probable stay similar for a week or longer.




Monday, March 23, 2009
Karl Blossfeldt "Wundergarten der Nature"

Karl Blossfeldt is a hero of mine. He was a professor at the "Universität der Künst" here in Charlottenburg about a hundred years ago, and he didn't consider himself an artist or a photographer, but rather took photos of weeds he collected on the outskirts of Berlin to use as subject material in the University.
So he worked for decades teaching students how they could learn about architecture and art just by studying plants, and then Nierendorf, a gallerist from the opposite side of the Hardenbergstraße where he was teaching, went and organized an exhibition for Blossfeldt, who was already 61.
Two years later Blossfeldt's book 'Urformen der Kunst' was published, and he became famous overnight. His second book 'Wundergarten der Nature' was published in 1932, and he died on the ninth of December of the same year.
I admire how unassuming he was. He wasn't interested in becoming recognized for what he had done, he just wanted to take good pictures of plants.

Tuesday, March 17, 2009
Art that inspires me
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Its the details that count. Durer knew it, Rembrant knew it, and so does Claire Scully, of thequietrevolution. Makes me want to draw again.
found through vi.sualize.us
Monday, March 16, 2009
Wednesday, March 11, 2009
Saturday, November 22, 2008
Cultural Confinement according to Robert Smithson
I never understood american landart. Smithson and the rest of them were too abstract for me, although I thought that maybe I could change my opinion if I could ever go and see what they had done onsite. But I recently stumbled accross an excellent article about the beginning of land art in america which quoted Smithson, and I was most impressed by what he had to say so I went looking for more and here's what I got;
"Cultural confinement takes place when a curator imposes his own limits on an art exhibition , rather than asking an artist to set his limits. Artists are expected to fit into fraudulent categories. Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control. Artists themselves are not confined, but their output is. Museums, like asylums and jails, have wards and cells- in other words, neutral rooms called "galleries." A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world. A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence. They are looked upon as so many inanimate invalids, waiting for critics to pronounce them curable or incurable. The function of the warden-curator is to separate art from the rest of society. Next comes integration. Once the work of art is totally neutralized, ineffective, abstracted, safe, and politically lobotomized it is ready to be consumed by society. All is reduced to visual fodder and transportable merchandise. Innovations are allowed only if they support this kind of confinement."
That is far and away the best critic of galleries I have ever come accross. It makes me want to read more.
Thursday, November 13, 2008
STRANDBEESTEN_TRAILER from Alexander Schlichter on Vimeo.
i didn't understand kinectic sculpture until i saw one of george rickey's works in lehnin last summer, and i was checking out some of his works on youtube when i stumbled across the work of theo jansen. that is one crazy artist! very inspiring.